Happy book birthday to Eleanor Glewwe! I blurbed Sparkers, in fact, and encourage you all to check it out.
Today is the official publication day of Sparkers! It’s out in the world. It’s hard to believe this day has finally arrived, and yet today also feels like any other day. I’m grateful to everyone who has taught me, advised me, cheered me on, and kept me company along the way.
Last Friday, I had my launch party at Red Balloon Bookshop in St. Paul. As I’ve mentioned before, this is the children’s bookstore where I met Eoin Colfer when I was in middle school. During my volunteer year, I lived in the neighborhood and loved being able to walk to Red Balloon whenever I wanted. It was a dream come true to have the Sparkers release party there.
A lovely crowd came out to celebrate with me, including much of my extended family, several of my high school friends, parents and siblings of high school friends who have…
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So here’s my next bit of YES analysis, longer and – if I may flatter myself – even more tedious than the last instalment. I try to live by the immortal words of Dogberry, from Shakespeare’s Much Ado About Nothing: “If I were as tedious as a king, I would give everything to you, your Worship.”
You may not want it all, of course. If you need to go trim your toenails, I won’t be offended. I totally understand.
I am getting the next YES post written, but it’s turning out long and my life seems to be entirely interrupt-driven these days. Today was our first day of school – YAY – but school only lasted an hour – BOO – and parents were supposed to stay at the school for French Immersion orientation – OOPS – and now we have a laundry list of school supplies to buy – YAY? – and I’m already fretting about travel at the end of the week – EEK – but I’m still planning to get this done tomorrow or Weds – HUZZAH.
But you see how it is. Constant. Interrupt.
To tide you over, here’s Chris Squire, bass player for YES and arguably my favourite member, playing the first two songs from his solo album Fish Out of Water. The second song, in particular, has a wonderful basso ostinato line under the flute solo, which gives it a pleasantly Baroque flavour.
I, uh, can offer no excuse for the kimono (and I’d love to learn it’s a lady’s kimono, because that would somehow serve him right). I’d protest that it’s better than Wakeman’s gold cape, except it really isn’t. I try to pretend it isn’t there.
I’ve been threatening for some time to compare the band YES to a sandwich.
It turns out to be harder than I first thought, not because the comparison isn’t apt but because I seem to have rather a lot to say about YES (not as much about sandwiches, but that might change if I really get going).
This has made it tricky to get started. I’m not quite convinced that my yammerings about YES are anything the world has been waiting desperately to hear. However, I seem desperate to yammer, and I’m thinking I should finally get it out of my system so I can move on to other things. This is going to be too long; didn’t read for most of you, and that’s ok. You could go take a nap instead. I think you’ve earned it.
The rest of you intrepid villains may follow me under the fold.
Do you ever have one of those days where you read two articles in a row that inadvertently seem to play off each other? Today I read “Why Do Americans Love to Blame Teachers?” and then “The Death of Adulthood in American Culture,” and I’ve enjoyed the feel of them bouncing around together in my brain.
Teachers are – or are supposed to be – the quintessential grown-ups. They’re second only to our parents in training us, disciplining us, and being figures of awe. I have long wondered whether the vilification of teachers (something I think of as a recent phenomenon, but that first article demonstrates is not) isn’t a knee-jerk “you’re not my boss any more” kind of reaction. People remember chafing against restrictions more than they appreciate the patience that was shown them.
The “Death of Adulthood” article is a bit of a slog if you’re not a dude, but he does eventually get around to the female side of things. What interested me most is that while he argues (effectively, I think) that American adult literature is pretty puerile, he doesn’t bother to analyse actual YA literature – the books that are so popular – at all. He as much as says he doesn’t read it, which is why he probably doesn’t realize that while adult literature may be pining for a return to lost youth, YA literature (in my opinion) is a road-map toward growing up.
Maybe people do feel unmoored without the old order and the patriarchs to enforce it, but I think YA literature addresses that. It’s hopeful literature, to my mind. Here are the things that really matter; here is the way we overcome our limitations, work together, and build a future worth having. The world is full of possibility and potential. I don’t think you’re ever too old to need a reminder of these things.
My son has just started guitar lessons again after taking the summer off. His old teacher left to pursue a PhD, but we’ve found a new teacher who can teach both electric (heavy metal) and classical. If it were up to B, of course, he’d be all Metallica all the time, but we mean parents like him to have some variety of technique.
This is the long way around to what I really want to talk about, which is Baroque music. B’s new classical piece is “Agitato” by Mauro Giuliani. Here’s a very serious dude playing the song in outer space:
(I love how he maintains that absolute deadpan face while galaxies swirl out of control behind him. Also: well played, serious dude!)
Anyway, this song is simultaneously easy and challenging for B. Easy because the rhythm is very regular and there aren’t a lot of position changes, challenging because there are a lot of accidentals. The thing is, the accidentals are absolutely predictable if you’re familiar with Baroque music. Every time B gets stuck, or plays a wrong note, I’m able to sing the correct note for him — and not because I’m already familiar with the piece. I’ve now listened to Mr. Deadpan’s performance about six times, but before that I really wasn’t familiar with this.
But this is either the beauty or the tedium of Baroque music (depending whom you ask) — composers had essentially just invented the circle of fifths, and they liked to ride that thing like a merry-go-round. I enjoy it. I find it soothing. Back when I played cello, I used to rank Baroque composers by how predictable they were. Bach is one of the all-time greats because he’ll surprise you; Vivaldi, on the other hand, really only ever wrote one song, in my opinion. Kind of like Boston. You can turn “More Than a Feeling” into “Foreplay/Long Time” without breaking a sweat.
Which is not to say I don’t enjoy Vivaldi. I totally do, and – who am I kidding? – Boston, too.
Handel was always my favourite Baroque composer. He seems predictable until you actually have to learn the parts, and then you realize he’s way weirder than you ever imagined.
Here’s another of my favourites, though, and it’s about as predictable as they come: Corelli’s Christmas Concerto. It got a lot of play at home when I was a kid, and I’ve performed in it as well.
YE GODS, IS THAT AN ARCHLUTE?? Actually, it’s probably a Baroque tenor lute, but still! We didn’t have no stinkin’ lute in my university orchestra, more’s the pity. Anyway, I think I should make B listen to this. It’s got all the best Baroque tropes, used to good effect.
Hello, friends! It’s been a while. Life is keeping me busy these days. I don’t know whether news from my province reaches you, wherever you are, but here in British Columbia our teachers are on strike. School was supposed to have started September 2nd, but the children are still home.
I lay the lion’s share of blame on our provincial government: they have been under-funding the school system the entire time we’ve lived here; they have deliberately provoked strikes; they’ve broken contracts and ignored the court rulings saying this was against the law. In the 6 years my son has been in school we’ve seen a steady erosion of services. First they stopped serving lunch, and then they cut back on teacher aides and support staff. B needed speech therapy, and we couldn’t get enough from the school; we had to go private. Luckily, we could afford it, but what about all the families who can’t? B needs support in two areas, but we’re told we have to choose one. It’s a travesty.
It’s rumoured that the province wants to destroy public education so they can introduce a school voucher system. Like in Sweden? That doesn’t inspire confidence.
Anyway, sorry to get all political on you. The upshot of this is that I am home-schooling the lad for the foreseeable future. I’ve heard some folks are eschewing academic work right now in solidarity with teachers. I get that, but think that in fact it would be more helpful to teachers if the kids come in already used to work and ready to go. So far, it’s going okay — where “okay” is what you get when you average out The Best of Times and The Worst of Times.
We’re having a Dickens novel of a time, apparently. That’s probably appropriate.
It’s not very conducive to writing, however, or at least not yet. If we kept at it long enough, our day would surely fall into a routine (ye gods, I hope he’s not out of school THAT long), but so far it’s all pretty labour-intensive. That’s one reason I’m here blogging — I’m trying to reclaim some space in the day (and in my own brain). When he was a baby, blogging was the way I kept up the discipline of writing every day.
I’ve also been getting up early to write, and have completed a book proposal! My agent is sending it to the usual suspects today, and I hope they find it promising. It’s another novel set in Goredd, dealing mostly with new characters, although there’s a bit of Phina in it as well. I don’t want to say too much, because things could still change, but fingers crossed that they give me the go-ahead. I really want to write this book.
If home-schooling is teaching anyone in this household anything, it’s teaching me that I really want to get writing again.