I am off the internets until the beginning of February, friends. I know you’ll miss me, but I leave you with this:
I am off the internets until the beginning of February, friends. I know you’ll miss me, but I leave you with this:
Max Gladstone has written a really good article on mourning over at Tor.com: On Alan Rickman, Loss, and Morning Our Heroes. Just wanted to share that with you. It’s full of stuff to think about, as per usual with Max.
Neither Bowie nor Rickman were major figures in my personal pantheon, but I know the feelings. I cried when Terry Pratchett died. I was on tour, about to give a presentation at a middle school in Seattle, when I heard the news. I was worried about the Q&A I always do at the end of my school presentations, because kids very often ask, “Who is your favourite author?” and I knew that if they asked that, I was going to cry in front of the entire 8th grade.
Crying in front of the entire 8th grade is a nearly universal human fear, I think, along with spiders and falling.
Of course they asked, and as anticipated, I cried, but I managed to turn it into, “Hey, isn’t it amazing how deeply art and stories can affect us? I never met this man, but he changed my life, and here I am crying.” Nobody laughed; I think they understood.
The next question was about music, and I sang for them, which is something I hardly ever do at a school. Singing in front of the entire 8th grade is also a bit intimidating, to be sure, but I’d already done the very scariest thing, so singing seemed more doable than usual. My very public sorrow had opened me up and made me braver.
Grief can feel so vulnerable that we just want to hide, but I think mourning – looking that grief in the eye and acknowledging it to yourself and/or the world – can make us less afraid. Terry Pratchett changed my life, and I will never be able to thank him. If I can face the pain of such a loss, what’s the worst the 8th grade can do?
The Youth Media Awards had already been announced by the time I got up this morning (they’re on the east coast this year, and I’m on the west, and I get up early but not that early). Here’s the rundown of this year’s winners (unless it’s another metalcore recipe, you never know with me). Particular congratulations to Becky Albertalli on the Morris Award.
Everybody’s gushing about Matt de la Peña’s Newbery win – it’s been a long time since a picture book won the Newbery, but I don’t think it’s unprecedented. Back when I set out to read the whole list (I was 12; I didn’t get through it), I’m pretty sure there had been at least one picture book winner. Still, it’s super rare, so this was a wonderful surprise for everyone. My experience with book-award predictions is that people enjoy guessing right, but they enjoy even more being proven delightfully wrong.
Of course, this morning we also learned that David Bowie died. My condolences to the grieving. I’ve never been such a fan of his music (*loses half her readers in one go*) but I’m enjoying reading about what an extraordinary human being he was.
Almost forgot to link to the last interview! Sorry about that. I guess my brain is tired. Here’s Steph Kuehn’s interview with Kelly Loy Gilbert, author of Conviction.
Congrats again to all the Morris finalists. I’m sure they’re as eager as I am to learn the results on Monday morning.
Edited to add: THIS is the real interview. The link above is Metalcore Shepherd’s Pie, which is pretty good, but isn’t what I meant to put there. Sorry.
Welcome to day four of the Morris Interviews! Today it is my pleasure and privilege to interview Stephanie Oakes, author of The Sacred Lies of Minnow Bly. If you’re unfamiliar with this hard-hitting debut, have a gander at the cover and the blurb below:
The Kevinian cult has taken everything from seventeen-year-old Minnow: twelve years of her life, her family, her ability to trust.
And when she rebelled, they took away her hands, too.
Now their Prophet has been murdered and their camp set aflame, and it’s clear that Minnow knows something—but she’s not talking. As she languishes in juvenile detention, she struggles to un-learn everything she has been taught to believe, adjusting to a life behind bars and recounting the events that led up to her incarceration. But when an FBI detective approaches her about making a deal, Minnow sees she can have the freedom she always dreamed of—if she’s willing to part with the terrible secrets of her past.
The Sacred Lies of Minnow Bly is a hard-hitting and hopeful story about the dangers of blind faith—and the power of having faith in oneself.
Interesting, eh? It’s like nothing I’d ever read before. I’m not always the biggest fan of “realistic” fiction – I’m a spec fic girl, sorry – but this was one of those special cases that not only kept my attention but kept me fascinated. Oakes delves into cult life, but more importantly (to me) into Minnow’s psychological and philosophical fallout once she’s out. This focus reminded me a bit of Stephanie Kuehn, who won the Morris two years ago, so maybe that’s a sign! I tend to get embarrassingly partisan about the books I read, so all my fingers are crossed (making it rather hard to type).
Without further ado, let’s hear what Stephanie has to say for herself! (My questions are in italics)
I am always amazed by the amount of research that goes into fiction. Your book has a daunting triple dose: cults, prison, and disability. What did you do to educate yourself on these topics? Do any of them have roots in personal experience? What preconceptions did you go in with, and how did your research shine a new light on them?
Very little of the book came from personal experiences, except in pretty oblique ways, so a lot of research was involved. I’m a school librarian, and internet research is basically my life blood, so a lot was done just by digging around the internet. I read lots of articles and perused websites—the typical stuff—but videos were probably my most helpful resource. For example, it was quite difficult to learn what someone with Minnow’s particularly type of amputation would experience, but watching lots of vlogs by people who’ve undergone amputations gave me a ton of insight into what that might actually be like. And of course writing a character with an amputation necessitated educating myself on how physical disability has been represented in media (spoilers: it’s usually done terribly). It made me really determined to do better.
I was interested in how you refuse to romanticize nature in this book. There are moments of beauty and transcendence — particularly when Minnow looks at the night sky — but there are just as many of hardship, pain, and bare-knuckled brutality. Minnow herself seems to have complicated feelings about the wilderness. What is your own relationship with nature, and is there something specific you were hoping your readers will come away understanding about it?
I spent a couple of summers in western Montana around the time I got the idea for this book, and I was really enamored with it. In that part of Montana, you are very much in nature’s realm. I saw tons of wildlife: moose, and bald eagles, and Grizzly bears running down the traffic strip on the side of the highway. Since I wasn’t a permanent resident of that place, I could sort of study this strange dynamic, of the people living and working in sometimes very flimsy-looking buildings just a step away from the kind of nature that can easily kill you. It’s also a place where people can disappear from society, like Minnow’s family does in the book, which was a really fascinating idea to explore, too. Isolation was a necessity for her community to exist, and nowhere could that happen except in the wild.
Reading — both learning to do it, and being affected by what you read — looms large in your novel. It’s beautiful watching books expand Minnow’s mind and horizons. I’m guessing it’s no coincidence that you’re a librarian. Could you talk about some of the texts Minnow and Angel read, and why you chose them?
I’ve been a reading teacher and a school librarian, so lots of those experiences crept in. The method that Miss Bailey uses to teach Minnow the basics of phonics was a program that I used with Kindergarteners in my first year of teaching. The novels Minnow reads were essentially books I would’ve picked out for her had she walked into my school library (Bud Not Buddy, Out of the Dust, The Giver, etc). Those were books that I felt were developmentally appropriate for Minnow in terms of her reading level, but also ones that had opened doors for me as a reader. And Tess of the d’Urbervilles, the last book Minnow reads in the book, was hugely influential to me as a young adult. I realized way after I “gave” Minnow Tess to read how many of the themes in that book are present in Minnow Bly.
Another big sub-current in this book is ideas about belief: why people believe, whether belief is necessary, what purposes it serves. You’ve got arguments for and against, which I really liked. This is a preoccupation of mine as well, and something I don’t see addressed quite so directly in YA very often. Why are these questions important to you, and what kinds of questions are you hoping readers come away asking themselves?
Belief was an extremely relevant topic when I was a teenager—or, I should say, it wasn’t up until the moment that it, very suddenly, was. I had this massive crisis of faith when I was around 19. It was sort of like a bomb going off in my mind. I started questioning everything I had once taken as truth. Since then, belief has been a complicated and sticky thing, so I never expected that I would write a book about religion. It was incredibly difficult, and the tone around the discussion of religion was something that underwent many, many revisions. I don’t have an agenda with this book, but I guess I hope it might cause readers to consider their own beliefs. Not necessarily to change them, but just to take stock and to understand why they believe what they believe. It can be really uncomfortable and difficult, but so valuable.
How has your New Author experience been? Is it anything like you imagined it would be? Have you gotten any interesting feedback from readers? What advice would you give to someone just starting out?
It’s been a whirlwind! There’s so much more to being an author than I ever anticipated, and I’m completely amazed at how much I’ve learned. My advice to new authors would be to not worry about the fact that sometimes you have no idea what’s going on (totally normal). It gets easier.
a) cats or dogs?
b) favourite writing snack?
c) silliest thing you do in public?
Sing songs from musicals in the car. Does that count as public? I’m going with yes, because I’ve definitely made awkward eye-contact with other drivers in the middle of a passionate rendition of “Valjean’s Soliloquy.”
d) most embarrassing book you’ve never read?
I just read To Kill a Mockingbird, which has been my standby for this question. I’ll go with The Outsiders. Pretty shameful for a YA author, right?
e) next project?
The Arsonist, a YA mystery out in 2017.
Huzzah! Stephanie, thank you so much for your time and have a wonderful time at ALA. Your personal cheering section (Vancouver, BC branch) will be right here with the popcorn.
The Morris interviews continue, with our newest laureate, Isabel Quintero, interviewing Anna-Marie McLemore about The Weight of Feathers. I feel like I’ve been seeing this title absolutely everywhere in the last week, so it’s getting a good buzz as ALA approaches.
If you’ve read any of the books we’re talking about this week, feel free to chime in with opinions and commentary. Any debuts you feel were overlooked this year?
Morris interview #2 is up today! John Corey Whaley interviews Becky Albertalli about Simon vs. the Homo Sapiens Agenda.
This is the one Morris finalist I’d heard of* before the shortlist was announced, and it sounds hilarious, so I’m eager to read it.
*Not bragging, so we’re clear. I feel even more out of the loop than usual this year. Luckily, this is easily corrected.
Welcome to Morris Award Interview Week, wherein past Morris winners interview this year’s crop of nominees. And a fine crop they have turned out to be! First up, Blythe Woolston interviews Leah Thomas about her debut, Because You’ll Never Meet Me.
I will be linking to these interviews all week and posting my own on Thursday. The winner will be announced this weekend at ALA Midwinter, along with the other Youth Media Awards, such as the Printz and Newbery. Anyway, go read! These are some wonderful debut novels, and you may not have heard of all of them.
Every year, since 2012, I’ve been choosing an aspirational word to sum up my hopes for the coming year. I remembered picking perspective, art, and authority, but I couldn’t remember what my word was supposed to have been for 2015. Turns out it was relax, which made me laugh a little. This time last year I was, indeed, anticipating a lot of stress. The release of SHADOW SCALE, two book tours, writing a third book, and then we were trying to fix up our condo, sell it, and move. My choice seemed to be relax or spontaneously combust.
Somehow, I got through it all, plus a trip to Singapore, teaching a class and a workshop, first round revisions…
I’m in a different place this year, however — and I don’t just mean a different house (although that’s true too). This coming year feels stable and open, simultaneously, as if I’ve stepped off the roller coaster onto solid ground. I’m not complaining, believe me, but it has me thinking about how I want to go forward from here.
Every word I’ve chosen previously has been an inward-looking, navel-gazing, self-care word (even authority, although that might not be immediately evident to anyone but me). I’ve taken good care of myself, come back from a depression. I’m feeling really capable on that front. Maybe I don’t need to play defense all the time anymore. Maybe this year I can cast my gaze outward.
And so, my word of the year is going to be generosity. I still need to work out what form that’s going to take, but I’m envisioning it now as a kind of openness. I don’t need to keep myself to myself quite so tightly. I know where my boundaries are; I know what I have available to give, and how not to take things personally. There are a number of directions I could go.
Happy 2016, darlings. I hope it’s looking as open and possible to you.
And Happy New Year!
What’s that? You forgot I was your friend? Because I never write my blog anymore? Hm. There’s something to that.
There will be a few merry blog blips coming up soon. I need to choose my Word of the Year (and I can’t make up my mind this minute), and the Morris interviews are happening all next week. On Thursday I’m interviewing Stephanie Oakes, author of The Sacred Lies of Minnow Bly. I’ll post links to all the others, too. We decided to do all five in one week this time, instead of spreading the joy over several weeks, like we usually do. ALA Midwinter comes early this year.
I’m settling down to the third draft of TESS IN BOOTS (not the final title, probably), my 3rd book set in Seraphina’s world, my first without Seraphina as the protagonist. I’ll finish this revision by the end of January, and then we shall see. I can’t really imagine a day when a book only takes three drafts, and yet I always hope for it. A few more back-and-forths and we’re looking at May or June (I hope) to get this squared away completely.
That makes it sound really dry. THIS BOOK, YOU GUISE. I am excited and scared and nervous about it. It’s funny and horrifying and painful and exhilarating and I’d hand it over to you right now if they’d let me, even though I know it’s going to be even better after I work on it some more. But I love it so, and I can’t wait to inflict it on the world.
More soon, but now it’s time to walk the dog – part of my glamorous authorial existence.