Wrestling the knee jerk

The phrase “knee-jerk reaction” refers to your patellar reflex, the one where a doctor smacks you on the knee with a hammer and your leg jumps. You can’t control it; it’s hard-wired right into your body. An electrical impulse travels to your spinal cord, bypasses your brain entirely, and comes back to your leg with a command: jump!

Let me just reiterate part of that: it bypasses your brain entirely. It doesn’t matter how badly you don’t want your leg to jerk, it’s gonna jerk.

Sometimes we humans are jerks just that involuntarily, predictably, and reliably. Culture and experience wire our brains a certain way; the brain makes snap judgements – because it has to, because there are times when actual survival depends upon it – and those judgements are sometimes hurtful to others and just plain wrong.

I want to tell you the story about the time I really understood, to my utter shame and dismay, that I am capable of a racist knee-jerk reaction. I was walking down the street in Chicago when a black woman asked me whether I had change for a dollar so she could take the bus. I averted my eyes and muttered No and hurried away, because my brain had performed a lightning fast calculation: black person + mention of change = pan-handling.

As I walked, however, the rest of my brain began to catch up and register additional information. She had been well-dressed and holding a dollar bill in her hand. She wasn’t asking for spare change; she wanted change for a dollar because the bus only took exact change.

I was horrified at myself. I had believed I was better than that. But there it was, laid out starkly before me: my knee had jerked, and I had acted from a place of racism.

I felt sick. I made myself turn around, mortifying as it was, and I made myself walk back to where she had been standing. She was already gone. The winter wind blew all around me.

I’ve had friends tell me I’m being too hard on myself. Those friends do not live in my brain. I was there when I failed; I saw it all. I’m telling you this story because it was a significant moment for me, a moment where I was suddenly transparent to myself.

I don’t want to be racist; it goes against everything I value and believe. Unfortunately, at a deep, unconscious level, I am — and not just racist, but sexist, ablist, name your prejudice, step right up. It happens before I know it. Have you seen those implicit association tests online, used to demonstrate unconscious prejudices? That’s the timescale of snap judgments, the degree to which one can’t control it or even perceive it happening.

It’s scary to think my brain is doing things without my conscious permission, but in fact, it does all kinds of things like that, all the time. It has to. If I had to consciously control every reaction, I’d have been hit by a bus by now. This particular tendency for the brain to apply shorthand stereotypes to the world around me is a feature of how the brain works. It’s what we have to work with, so how can we make it work? How do I go forward, knowing about the ugly potentials lying latent in my own head?

The key is second thoughts (and even third thoughts, for the Pratchett fans among us). Now that I know this about myself, now that I am aware of this particular synaptic pattern in my own head, I can be observant and vigilant. I can recognize the knee-jerk for what it is when it happens. I can anticipate it and head it off, sometimes. I can aim that jerking leg away, so it doesn’t kick anyone. I can notice I kicked someone, and apologize.

I can humbly accept it as truth when someone tells me I kicked them, and work to do better.

And that is the key word: work. This reaction is like a reflex, but it’s not really a reflex; that was just an analogy, and analogies fail. The reaction is programming, and the brain can be reprogrammed from the inside out. It takes time and will and effort, and a recognition that some unforeseen circumstance may trip the old switches again when I’m not expecting it. There may always be a booby-trap somewhere in my head, where I can’t anticipate it. I know will fail; I have already failed, plenty. I will continue to get up and try again.

This is getting super long, and I still haven’t talked about how any of this relates to what I’m writing. I’ll have to make this a two-parter, I guess. In the meantime, here’s a blog entry that was part of RaceFail ’09. It’s called Open Letter: To Elizabeth Bear, and part of it moved me deeply (the part about Star Trek; god I’m such a dork). I had another little epiphany, and it relates to what I’m writing now.

What AM I writing now?  Hm… long blog entries, apparently! Work calls, darlings. See you Monday, most likely.

Today’s reading

Have you ever found yourself suddenly noticing articles on a topic you were thinking about anyway, as though the internet had noticed your preoccupation and started coughing them up into your lap? Er, nice image there – you can see why I’m a writer. Anyway, it just so happened that yesterday I stumbled upon an article about racism, sexism, and imperialism in Jay Lake’s novel, Green (apropos of nothing: I keep wanting to say “Greg Lake“, because apparently prog rock pervades my entire being).

Then this morning a Facebook friend linked to an article about sexism, racism, and Orientalism in Craig Thompson’s graphic novel, Habibi.

A quick scratch of the internets soon brought me to Appropriate Cultural Appropriation, and beyond to RaceFail ’09.

It’s enough to make a white woman who’s writing about a fantasy culture of dark-skinned people pause and say, “Hmmm.”

I still have things to digest, but I hope to have some thoughts on this tomorrow. Meanwhile, if you’re interested in these topics, happy reading! There’s enough thought-provoking material here to keep your brain busy for a good long time.

First thoughts on NaNoWriMo

1) 1,666 words is actually not that bad, in terms of how much time it takes. For some reason, I thought it was going to take me five hours or something. I guess I’ve become a fairly speedy typist in my old age which, considering how much I do it, is probably a super obvious thing to observe. But I had 1000 words done before breakfast, and I squeezed the rest in here and there as I could (my son has no school today; this will only get easier… until the weekend).

2) This is definitely going to help. I can tell already. There are choices I make, all day long, many of them involving the question, “So! What shall I do next?” I won’t pretend I always make the most productive choice. Knowing that there’s a writing goal hanging over my head, however, weights the choice in favour of writing, and that’s going to help loads. Also, staying off of Goodreads, ha ha.

3) Of course, when word count is your measure of success, the temptation is strong to be exceedingly prolix. Must… fight… temptation…! Nobody cares what our heroine is having for breakfast (except me! *sob!*)

4) The best news of all: stuff is happening in the book! Good stuff! I likes it!

More ways writing is like fighting. Also: like igniting.

So today I flushed about 25 pages.

It’s not like I didn’t see this coming (see previous post), but I had some merry notion it was just the one scene and that I could leave it and Captain Editorpants would make me cut it later. But no, I realized last night that I was hating the whole book pretty hard and I needed to sort out why because I could no longer push forward.

I generally find that when I’ve been heading the wrong direction, it’s like wading deeper and deeper into quicksand, or a brambly thicket. It gets harder and harder to move forward, until I’m completely immobilized.

Now hold on! you’re saying. What about the scaffolding? The place to stand? I liked that metaphor!

Yes… that’s the trouble with metaphors. They’re apt until they aren’t. Unfortunately, in art, nothing is ever just one thing. The scenes can resemble scaffolding AND quicksand — unlike real scaffolding and quicksand, which tend to be nothing alike.

And the scaffolding still stands (haha). I don’t know if it’s like this for other writers, but sometimes I really can’t figure out the right way to go until I’ve gone the wrong way. I learned a lot about some new characters, about their home city, about their goals, assumptions, and beliefs. As frustrating as the last week has been, as heartbreaking as it is to have to throw away 6K+ words, this wasn’t a waste of time.

Writing is never wasted. I believe that with everything I have. It is an article of faith; it is the only way I get through this stuff without falling into depression or just plain quitting. That credo is the result of years of experience, getting it wrong and getting back up again.

I can’t pretend it doesn’t hurt, though. Hm. I think I wrote a post about that recently, too. October has been a rough month!

But you see, this is where the years of experience come into play. I know what happens after I prune off a big chunk of text. I get an idea that sets my head on fire. I’ve already had it, this morning while walking the dog. I know what to do, and I’m ready to get back in the ring.

Scaffolding

Good writing today, although I feel virtually certain this scene will not make the final cut. There’s not much action besides drinking lemonade and taking a bath; there’s a certain amount of playing with themes, but I suspect even this will turn out to be an understudy for better handling of the same themes later.

Why write it, then, if I already know that? Well, it’s because I need to understand what happens in this scene – in an irritating amount of detail – before I can write other, better scenes.

I try to skip ahead sometimes, but it rarely works. I’m someone who needs a very strong foundation to build on, because I’m not just throwing up a tool shed, here. I’m building a cathedral, maybe, or a skyscraper, or the Taj Mahal. Seraphina is part of that foundation, yes, but it’s not sufficient in itself. This book is sending up spires in other directions, and they have to be able to stand.

Or maybe a painting metaphor would be more apt. I’m painting the Sistine Chapel ceiling, but I can’t just throw paint upwards and hope. There’s scaffolding that has to be built so I can do my job. Some scenes are like scaffolding: they hold me up while I write other scenes, and then they are removed. But I can’t just skip them. I’m not magic; I can’t reach the ceiling without a place to stand.

Scaffolding is ugly and cluttered, I admit, but once it’s gone you can’t even tell where it stood. All that’s left is ceiling.

Progress Report

I’m on page 99 of the sequel. C’mon, brain, just a little bit more! Let’s make it an even 100. That would make me feel accomplished.

I suspect I am a slow writer. Maybe not the very slowest ever, but slow. I’m not sure why, exactly, though perfectionistic tendencies run in the family and are always suspect. My son has a written-output LD, which he presumably got from somewhere.

But I think some of it, too, is that I don’t think optimally while sitting or standing still. I think better while walking, and I don’t just think it’s because my thoughts are freer without the pressure of having to write them down. I think motion gives me access to things that are hard to dredge up otherwise. Seriously, we should find a way for me to write while walking. A treadmill? A stationary bike? It’d be a great experiment, to see if I’m right or if it’s just an illusion (because it might be, certainly). And think how fit and healthy I’d get, if nothing else.

(I am now noticing myself fiddling with the wording of this post. It’s entirely possible that I’m nothing more than a chronic, undisciplined fiddler. Phooey.)

Agonistes

There are days this isn’t fun, the whole writing business. Days I say to myself, “You know what would be fun? ACCOUNTING. Numbers don’t break your heart. Nobody imbues them with an emotional significance above and beyond their face value. They are predictable and constant and simple. Awwww, numbers, my dearest friends!”

Then I begin to notice that I’m already imbuing them with emotional significance, and I haven’t even added a single digit yet. Apparently putting an emotional charge upon the world is what I DO.

There is nothing so simple I can’t make it complicated.

My mother once gave her French friend a can of Easy Cheese as a joke. “This is what passes for cheese in America,” she said, spraying it onto a cracker. Her French friend politely tried it, struggling not to gag, and then said in a tiny voice, “I believe I prefer… Difficult Cheese.”

That story really resonates with me. I, too, prefer Difficult Cheese, where “cheese” stands for just about anything you care to name. I am drawn to complexity; I consider it worth the struggle. I like the agon; I go looking for walls to kick down and challenges I can punch in the face. I’m a pugilist, by nature and by choice.

The life of the mind results in a shocking number of bruises, but they heal.

In the beginning is the future

All right, I think I’ve refined my YES post so that it’s no longer full of crazy ranting (eg. “Cans and Brahms” – why did you do it, Rick Wakeman? WHYYY?) and is now more pertinent to where music intersects with my writing process.

Because that’s really why we’re here, right? For the writing process goodness? Sure we are.

(OMG, this ended up long and nerdy ANYWAY, despite all my best efforts. Proceed only if you really think you can handle it.)

Continue reading

In my brain this morning

Everybody’s hopak dancing!

I had to add a scene at the beginning of the book-in-progress – don’t make me explain – and it turns out they dance something very like the hopak in Ninys. WHO KNEW.

Notes to a young writer

I was recently asked how one balances writing with the rest of one’s life. It’s a great question, and something I don’t always feel I do well. But the more I thought about it, the more I realized there were a few things I wish I’d known and put into practice early on. Here, then, is my advice:

* Figure out what time of day you do your best work, and cordon it off with velvet ropes.

* Go for walks. Other exercise is good too, and important, but walks are special. Walking makes your brain go.

* Feed yourself. Not just food, although that’s important, but whatever you need to keep your mind and spirit full. Books, music, conversation, landscapes, friends, experiences. Laughter. Art. That’s the well you have to draw from. It’s deep, but it needs to be refilled occasionally.

* Get enough sleep.

* Get enough silence.

It all kind of boils down to “take care of yourself”, I guess. That seems obvious, but it’s always the first thing to go when the going gets stressful.